One year of weddings with the X camera’s. Surely I must struggle with the slow AF and Low Light performance ?

Evening pictures // Wedding acts
It’s dark outside, the venue doesn’t have the best lights (or in this case .. almost none), things move around. A Pocketwizard TT5 & 580EXII on a stand. TT1 on top of my XT1.

Did you know you can even get your AC3 zone controller to work with Fuji’s ? I followed this handy guide from Zander White.




More acts, different venues

Off camera flash

An example of the same action but with on camera flash.
(You can see my gorillapod in the background)

Opening dance

Same off-camera set-up to get these shots.

Party Pictures

A canon 580EXII on top of my XT1. The speedlight is bigger than the camera, it looks funny, there is no ETTL but chimp in your settings once and you are good to go. For party pictures like this I tend to switch to manual focus. F8, slow shutter speed .. adjust Flash accordingly. Aim it to their face. *boom*



Ceremony
I never used a flash in a ceremony before, this wedding had an awesome location and the ceremony was held in a renovated barn. When scouting the location I noticed that the place where the brides would be talking would have no natural light hitting them. Somehow I felt trouble lurking around the corner. Just to be sure I placed a 580EXII/TT5 behind the wall (camera left). 10 minutes into the ceremony the barn’s electricity went out….


All pictures in this post were taken with a Fujifilm X-T1.
Title & Post inspired by Photo’s fuji’s can’t take

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To most photographers the album is the final-product to be handed over to the client, your pictures are no longer hidden on a DVD or hard drive somewhere… they now exist in the physical world (yes, I shoot digital). And that album will probably be along for a while to come, it will visit family, friends.. and it will later be shown to their children.

But to be honest , making albums was never in my list of “things I love about my job”. (And that is an understatement)
I’m still happy with my workflow on how clients help me pick favourites for the album but this year I got frustrated again with my album software. I lost too much time aligning & sizing image placeholders . It took too much time searching the perfect templates (NB. in my own template catalogue) and I found myself recreating the same templates time after time … Exit photojunction.

The thing with changing your workflow after 5 years is that in your head you are a bit glued to that workflow. You got to have an open mind towards change. But I also didn’t want to lose countless hours figuring everything out before being up to speed again. I went out on google to see what else was on the market. I downloaded the trial for Fundy, Album stomp and SmartAlbums and I gave all three a quick test drive to see which one suited me best.

There really was only one package that stood out from the others. Enter Smart Albums!

SmartAlbums is very different from what I’ve been doing all these years but boy is it rewarding! I’ll try to explain how SA approaches the design process. You set-up your album size (or choose from a very complete list of suppliers) & load in your pictures. The interface is divided in 3 parts. The spread, the timeline & the images. You choose what photo’s go well together to tell the story and drag them to a spread and SmartAlbums chooses a layout with that number of photo’s for you. Add or remove a picture from the spread and SA changes the layout instantly.

Screen Shot 2014-10-29 at 15.22.57

The whole thing is very dynamic and it makes experimenting fast & easy. If you are not happy with the layout you can cycle through them super fast or you can open a pop-up library to show you all available spreads for the amount of pictures you have on the spread. Although there are a lot of shortcuts available everything else can be done with drag & drop: replace an image, swap images, add an extra spread, reorder the spreads, ….

Screen Shot 2014-10-29 at 15.23.42

Check out the 1-minute demo to see it in action.

Why SmartAlbums really works for me

The simplicity of the layouts are a very close match to my way of designing albums.

I was also very pleased to see a no nonsense approach to the design of the interface. You keep a good overview of everything (but a nice big screen comes in handy) and it’s not crammed with icons, options & features.

For me the true marvel of SmartAlbums lies in the timeline control. I drag groups of images from to the timeline and I’ll create the page breaks so I get a clear idea how many spreads I’ll end up. I then fine tune the layouts, isolate some pictures by adding more page breaks so the best images get more space and stand out. For the other spreads I cycle some layouts to see what works best.

Now, coming from a software where you have full manual control there are of course some things about SA that can be seen as “limitations”. (the trade-okf of keeping a clean UI) If a certain layout is not in their “gallery” your can’t just create your own template and save it for re-use later. (a template builder would be awesome). There is a work-around, and the end of the process you can export your spreads to CS or Indesign and adjust them there. (or export a single spread, adjust it, export as jpg and reimport that image in SA). If you are not familiar with either CS or Indesign it can get a bit tricky. For simple things like scaling a group of images, or nudge them to the left or right it would be wonderful if this could be done from inside the application.

Pros

+ It will save you tons of time
+ Simple & clean UI
+ Fast image import
+ The ability to filter images using the rating & color labels of your pictures given to them in Lightroom
+ Keyboard navigation! If you can handle 4 arrow keys you are already an expert!
+ It seems limited at first but it already comes with a very complete template library. (other will be added in the Future)
+ Images can be kept inside different folders & reload automatically when changed
+ Available as a one time fee (299$)

Cons

- You will start to like creating albums
- If you are into classic album layouts this isn’t the software for you. No picture in picture in picture with a sepia background, no red-rose saturation ;)
- Not being able to create your own layouts
- No “watch” folder. Images added to a folder don’t get imported automatically. (but there is a quick refresh button)
- No Windows version

Suggestions

- Bleed & Crop is only visible in the small preview on the right pane but that something is a bit too small
- A full screen spread preview with bleed & crop lines.
- Nudge / Scale the complete layout.
- Create

Conclusion

Within the first hour into the software I already found myself to be productive and I’m not exaggerating when I say I now really enjoy making albums. I’ve more than cut my design time in half. Just learn to limit your picks first, kill your darlings, keep only the strongest pictures.

Here are two example albums designed with Smart Albums. (click on the picture to open in a new window)

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I’v been using the Fuji’s XT-1 on all my weddings this year. I didn’t switch to “Fuji” overnight. It was a gradual thing, and it was important to get the feel for the camera’s. A family session is not my usual type of work but would prove for an ideal test-case for the XT1. Our architect friends where my guinea pigs. Thanks guys!

Conclusions

  • Mixing the XPROI with the XT1 is frustrating, my muscle memory lets me down .. it starts with the position of the eyepiece, the different button layout. This is why I opted for 2 identical bodies on weddings.
  • The XF56 is a beast. I never shot a lot of 85mm on my Canon system. But this lens is getting a lot of action. (it’s also the longest focal range in my bag now)
  • It takes a while to master working in full manual mode with the Fuji’s. My beef here is that that dial is harder to reach while holding the camera steady (the exposure compensation dial is better positioned). Yet I (again) prefer to work like this because the consistency in exposure is greater if you lock/recompose/shoot.
  • Autofocus, could be better but not so much an issue for my style of shooting.
  • Most important: I now also convinced myself the results are as good as my work with my 5D MarkIII

Gear

  • X-T1 & X-PRO1
  • XF23, XF35 & XF56

Processing

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